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Cathédrale Sainte-Croix
Parisian organs built by Cavaillé-Coll - the
‘post-classical’ period
Notre-Dame-de-Lorette (1838) Chapelle de Jésus enfant (1839) Sainte-Madeleine Orgue de chœur (1843) Cathédrale Sainte-Croix (1844) Eglise luthérienne de la Rédemption (1844) Saint-Roch Orgue de chœur (1845/65) Eglise Protestante Unie - Temple de Pentemont ( 1846) Sainte-Madeleine ( 1846) Saint-Paul-Saint-Louis (1847) Chapelle de la congrégation du Bon secours (1850) Saint Denis (1841)Post-classical period
Upon his arrival in Paris in 1833, Aristide Cavaillé-Coll was awarded a contract for a large organ for the basilica of Saint-Denis. This highly innovative instrument would become a model for the more than 600 organs which he would built until his death in 1899. The main innovations of Cavaillé-Coll, incorporated in this organ in their early forms: • the Récit-expressive (swell box), which would become the most important keyboard in his symphonic period • stops like the flute harmonique and the voix céleste • new voicing techniques, which gave a complete freedom of mixing timbres (funds, mixtures and reeds) • divided windchests, allowing the use of higher wind pressures where appropriate and an appel anches, permitting to add or subtract all reeds of a keyboard as a group by means of a pedal. • introduction of the Barker machine to lower the effort needed to pressing the keys, in particular when playing on coupled keyboards. Cavaillé-Coll built ten (still existing) organs in Paris between 1833 and 1850 (the ‘post-classical’ period), among which the organ in Sainte-Madeleine. Next: - the ' operatic' period (1851-1871) - the ´ symphonic ´ period (1872-1898)
Organs of Paris
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Post-classical period
Upon his arrival in Paris in 1833, Aristide Cavaillé-Coll was awarded a contract for a large organ for the basilica of Saint-Denis. This highly innovative instrument would become a model for the more than 600 organs which he would built until his death in 1899. The main innovations of Cavaillé-Coll, incorporated in this organ in their early forms: • the Récit-expressive (swell box), which would become the most important keyboard in his symphonic period • stops like the flute harmonique and the voix céleste • new voicing techniques, which gave a complete freedom of mixing timbres (funds, mixtures and reeds) • divided windchests, allowing the use of higher wind pressures where appropriate and an appel anches, permitting to add or subtract all reeds of a keyboard as a group by means of a pedal. • introduction of the Barker machine to lower the effort needed to pressing the keys, in particular when playing on coupled keyboards. Cavaillé-Coll built ten (still existing) organs in Paris between 1833 and 1850 (the ‘post-classical’ period), among which the organ in Sainte-Madeleine. Next: - the ' operatic' period (1851-1871) - the ´ symphonic ´ period (1872-1898)
Cathédrale Sainte-Croix
